|
Fiber-Optic Transport
 |
•
Remote Camera Interface Systems:
|
Live-Link™ |
One HD/SD-SDI
and one analog video signal in each direction,
on-air and cue audio, 2-channel PL intercom, 10/100 Ethernet,
RS-232/RS-422 async data, and GPI/GPO over single-mode fiber |
|
Live-Link
3G |
Two 3G/HD/SD-SDI video signals in each direction,
on-air and cue audio, 2-channel PL intercom, 10/100
Ethernet, RS-232/RS-422 async data, and GPI/GPO |
|
•
SDI-Over-Fiber Transport: |
|
Model 400 |
SDI-over-fiber transport system that
supports 3G/HD/SD-SDI signals in a variety of
configurations |
|
|
Mobile Broadcast
 |
•
IFB Plus Series:
|
Model 2 |
2-channel IFB central controller |
|
Model 22 |
2-channel IFB access station |
|
Model 24 |
4-channel IFB access station |
|
Model 32A |
Talent amplifier with IFB channel selector |
|
Model 33A |
Talent amplifier with IFB channel mixer |
•
Audio Mixers:
|
Model 740 |
Six by one audio mixer |
|
Model 742 |
Four
mic and four mic/line input mixer with two audio buses |
|
Model 750 |
Four
mic/line and two stereo line inputs with two stereo output
buses |
|
|
Intercom and IFB
 |
•
Interfaces:
|
Model 41 |
4-output IFB circuit interface |
|
Model 42A |
4-output IFB interface; front and back panel XLR connectors |
|
Model 45 |
2-wire-to-4-wire party-line intercom interface |
|
Model 46 |
Dual 2-wire-to-4-wire party-line intercom interface |
|
Model 72 |
Level meter/audio interface |
•
Talent
Amplifier:
|
Model 34 |
Dual level controls for 1- or 2-channel IFB systems |
•
Talent
Interface:
|
Model 36 |
Self-contained headset/earpiece amplifier and microphone
routing module. |
|
|
Announcer's Consoles
 |
•
Consoles:
|
Model 210 |
One IFB output, single talkback output |
|
Model 212 |
AES3id digital inputs, optional AES3 input/output |
|
Model 220 |
Two line-level audio inputs, IFB input, two talkback outputs |
|
Model 230 |
Two
audio inputs, IBF input, talkback output, intercom interface |
|
Model 233 |
Two audio inputs, two talkback outputs, intercom interface,
tally
output, integrated
sidetone |
•
Interface:
|
Model 44 |
Power
and signal routing for up to six consoles |
|
|
StudioComm Loudspeaker Monitor Control Systems
|
•
7.1 Surround:
•
5.1 Surround:
•
5.1 Surround with Support for Dolby®
E dialnorm metadata:
•
Compact Control Console:
•
Bass Manager:
|
Model 65 |
Derives five outputs and two subwoofer outputs from 5.1
input |
•
Stereo:
•
Talent Amplifier:
|
|
Distribution Amplifiers
|
•
Analog:
|
Model
81 |
One stereo input/eight stereo outputs, XLR input, 25-pin
D-Sub output |
|
Model 82 |
One stereo input and four stereo outputs, XLR input/output |
•
Digital:
|
Model
85 |
Two AES/EBU digital inputs, eight AES/EBU digital outputs |
|
|
Cable Testers
|
•
DT12:
|
Model
92 |
Channel and pin mode tester for DT12 cables and fanouts |
•
W1:
|
Model
93 |
Channel and pin mode tester for W1 cables and fanouts |
|
|
Sound Pressure Level
Monitoring System
|
•
Networked SPL Monitoring Units (monitor over Ethernet or
Internet):
|
Model
100 |
PoE (Power over Ethernet) version, browser-based software
included; SPLcapture software license optional |
|
Model 112 |
Extended dynamic range, advanced temperature/humidity/wind
sensor; SPLcapture software included |
•
Measurement Microphones:
•
Measurement Software:
|
SPLnet Basic |
Browser-based
package for SPL monitoring and logging |
|
SPLcapture™ |
Advanced software for octave or
1/3-octave SPL/RTA data logging from multiple networked
computers |
|
|
Reference Archive for
Discontinued Products |
Contains data sheets, user guides, and other documentation for
products that have been discontinued. |
